{"id":43,"date":"2012-07-10T04:35:31","date_gmt":"2012-07-10T04:35:31","guid":{"rendered":"http:\/\/www.joseignaciohernandez.com\/?page_id=43"},"modified":"2018-04-10T17:56:27","modified_gmt":"2018-04-10T17:56:27","slug":"cine","status":"publish","type":"page","link":"http:\/\/www.joseignaciohernandez.com\/?page_id=43","title":{"rendered":"Cine &#038; videos promo"},"content":{"rendered":"<p style=\"text-align: center;\">2 de marzo en Granada, En la Sala M\u00e1xima del Espacio V Centenario interpretando\u00a0Mujeres de Ryazan, Olga Preobrazhenskaya, URSS, 1927<\/p>\n<p style=\"text-align: center;\"><strong><strong><span style=\"color: #ff6600;\"><a href=\"http:\/\/www.joseignaciohernandez.com\/wp-content\/uploads\/2012\/07\/Jose-Cine-mudo.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-304 size-full\" src=\"http:\/\/www.joseignaciohernandez.com\/wp-content\/uploads\/2012\/07\/Jose-Cine-mudo.jpg\" alt=\"Jose Cine mudo\" width=\"960\" height=\"540\" srcset=\"http:\/\/www.joseignaciohernandez.com\/wp-content\/uploads\/2012\/07\/Jose-Cine-mudo.jpg 960w, http:\/\/www.joseignaciohernandez.com\/wp-content\/uploads\/2012\/07\/Jose-Cine-mudo-300x168.jpg 300w, http:\/\/www.joseignaciohernandez.com\/wp-content\/uploads\/2012\/07\/Jose-Cine-mudo-150x84.jpg 150w\" sizes=\"auto, (max-width: 960px) 100vw, 960px\" \/><\/a><\/span><\/strong><\/strong><\/p>\n<p style=\"text-align: center;\"><strong><strong><span style=\"color: #ff6600;\">NOVEDAD<\/span> Jos\u00e9 Ignacio \u00abHaciendo m\u00fasica para el silencio<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/DRKjyP9kx4Q\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/strong><\/strong><\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: center;\"><strong><span style=\"color: #ff6600;\">NOVEDAD<\/span>\u00a0Cine mudo \u00abAsfalto\u00bb<br \/>\n<iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/dwaNxskAtEE\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe><\/strong><\/p>\n<p><strong>Improvisaci\u00f3n e imagen<\/strong><\/p>\n<p style=\"text-align: justify;\">La improvisaci\u00f3n aplicada a la imagen pide al compositor un estudio previo del film o la escena. Esto provoca un nuevo contexto desde el punto de vista improvisatorio. Tras visualizar la escena, el corto, el anuncio publicitario, etc, el futuro interprete compone y crea unas frases musicales y\/o estructuras arm\u00f3nicas o temas que se \u201cacortaran o alargaran dependiendo de lo que dure la escena\u201d, y sobre las que el interprete improvisa, a\u00f1adi\u00e9ndoles, interludios, matices, codas, etc en funci\u00f3n de la escena y el contexto. En este caso la partitura es la imagen y la composici\u00f3n est\u00e1 supeditada a lo que el director de la escena nos muestra.<\/p>\n<p style=\"text-align: justify;\">En el caso de escenas de car\u00e1cter abstracto, limitadas por una secuencia f\u00edlmica determinada, el m\u00fasico o los m\u00fasicos poseen mayor libertad. Esto es, la partitura, la imagen tiene un amplio abanico de significados. En este sentido el m\u00fasico puede huir de los convencionalismos del lenguaje musical narrativo.<\/p>\n<p><strong><span style=\"color: #993300;\">Improvisation and image<\/span><\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #993300;\">Improvisation as applied to images demands that the composer study the film or scene beforehand. From the point of view of improvisor this creates a new context. After visualizing the scene belonging to the movie, the clip, the commercial,etc, the interpreter creates musical phrases and\/or harmonic structures or themes that are controlled by the timing of the scene.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"color: #993300;\">Using the pre-composed ideas, the improvisor creates interludes, codas, and musical expression that functions with the scene and the context. In this case, the score is the image and the music is suberdinate to what the director wants in the scene.<\/span><\/p>\n<p align=\"LEFT\"><strong><span style=\"color: #000000;\"><span style=\"font-size: small;\"><span style=\"font-size: medium;\">Relaci\u00f3n de pel\u00edculas de cine mudo, cuya m\u00fasica ha compuesto e interpretado el pianista Jos\u00e9 Ignacio Hern\u00e1ndez.<\/span><\/span><\/span><\/strong><\/p>\n<p><strong><span style=\"color: #993300;\">Relationship of silent movies, whose music has been composed and playing by the pianist Jos\u00e9 Ignacio Hern\u00e1ndez.<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><strong>D\u00eda de realizaci\u00f3n<\/strong><br \/>\n<strong> Nombre de la pel\u00edcula, director, nacionalidad, a\u00f1o<\/strong><br \/>\n<strong> <span style=\"color: #993300;\">Date of performance<\/span><\/strong><br \/>\n<strong> <span style=\"color: #993300;\"> Original film name, director, nacionality, year.<\/span><\/strong><\/p>\n<p style=\"text-align: center;\">02\/03\/18<br \/>\nMujeres de Ryazan, Olga Preobrazhenskaya, URSS, 1927<br \/>\n<span style=\"color: #993300;\">Baby Ryazanskie, Olga Preobrazhenskaya, URSS, 1927<\/span><\/p>\n<p style=\"text-align: center;\">12\/01\/18<br \/>\nEl moderno Sherlock Holmes, Buster Keaton, EE.UU., 1924<br \/>\n<span style=\"color: #993300;\">Sherlock Holmes JR, Buster Keaton, USA, 1924<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/17<br \/>\nEl und\u00e9cimo a\u00f1o, Dziga Vertov, URSS, 1928<br \/>\nOdinnadtsatyy, Dziga Vertov, URSS, 1928<\/p>\n<p style=\"text-align: center;\">30\/09\/17<br \/>\nEl moderno Sherlock Holmes, Buster Keaton, EE.UU., 1924<br \/>\n<span style=\"color: #993300;\">Sherlock Holmes JR, Buster Keaton, USA, 1924<\/span><\/p>\n<p style=\"text-align: center;\">29\/09\/17<br \/>\nNosferatu, Friedrich W. Murnau, Alemania, 1922<br \/>\n<span style=\"color: #993300;\">Nosferatu, eine symphonie des grauens, Friedrich W. Murnau, Germany, 1922<\/span><\/p>\n<p style=\"text-align: center;\">29\/09\/17<br \/>\nSiete ocasiones, Buster Keaton, EE.UU., 1925<br \/>\nSeven chances, Buster Keaton, EEUU, 1925<\/p>\n<p style=\"text-align: center;\">20\/04\/17<br \/>\nEl hombre de la c\u00e1mara, Dziga Vertov, URSS, 1929<br \/>\n<span style=\"color: #993300;\">Chelovek s Kinoapparatom, Dziga Vertov, URSS, 1929<\/span><\/p>\n<p style=\"text-align: center;\">19\/04\/17<br \/>\nAsalto y robo de un tren, Edwin S. Porter, EE.UU.,1903<br \/>\nThe great train robbery, Edwin S. Porter, USA, 1903<\/p>\n<p style=\"text-align: center;\">15\/12\/16<br \/>\nEl romance de la habitaci\u00f3n oeste, Yao Hou, China , 1927<br \/>\n<span style=\"color: #993300;\">Xixiang ji, Yao Hou, China , 1927<\/span><\/p>\n<p style=\"text-align: center;\">05\/12\/16<br \/>\nLa Pasi\u00f3n de Juana de Arco, Carl Theodor Dreyer, Francia, 1924<br \/>\n<span style=\"color: #993300;\">La passion de Jeanne d&#8217;Arc,\u00a0Carl Theodor Dreyer, France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">03\/12\/16<br \/>\nLa mu\u00f1eca, Ernst Lubitsch, Alemania, 1919<br \/>\n<span style=\"color: #993300;\">Die puppe, Ernst Lubitsch, Germany, 1919<\/span><\/p>\n<p style=\"text-align: center;\">03\/12\/16<br \/>\nViaje a la luna, George M\u00e9li\u00e8s, Francia, 1902<br \/>\n<span style=\"color: #993300;\">Le voyage dans la lune, George M\u00e9li\u00e8s, France, 1902<\/span><\/p>\n<p style=\"text-align: center;\">20\/11\/16<br \/>\nLa chica del agua, Jean Renoir, Francia, 1924<br \/>\n<span style=\"color: #993300;\">La fille de l&#8217;eau, Jean Renoir, France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">03\/11\/16<br \/>\nMujeres de Ryazan, Olga Preobrazhenskaya, URSS, 1927<br \/>\n<span style=\"color: #993300;\">Baby Ryazanskie, Olga Preobrazhenskaya, URSS, 1927<\/span><\/p>\n<p style=\"text-align: center;\">27\/10\/16<br \/>\nLa Pasi\u00f3n de Juana de Arco, Carl Theodor Dreyer, Francia, 1924<br \/>\n<span style=\"color: #993300;\">La passion de Jeanne d&#8217;Arc,\u00a0Carl Theodor Dreyer, France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">12\/12\/15<br \/>\nConstrucciones espirituales,\u00a0Oskar Fischinger, Alemania, 1927-1929<br \/>\n<span style=\"color: #993300;\">Seelische konstruktionen, Oskar Fischinger, Germany, 1927-1929<\/span><\/p>\n<p style=\"text-align: center;\">30\/01\/15<br \/>\nLa navidad del soldado franc\u00e9s, Louis Feuillade, Francia, 1916<br \/>\n<span style=\"color: #993300;\">Le n\u00f6el du poilu, Louis Feuillade, France, 1916<\/span><\/p>\n<p style=\"text-align: center;\">13\/01\/15<br \/>\nLos ni\u00f1os franceses durante la guerra, Henri Desfontaines, Francia, 1918<br \/>\n<span style=\"color: #993300;\">Les enfants de France pendant la guerre, Henri Desfontaines, France, 1918<\/span><\/p>\n<p style=\"text-align: center;\">12\/12\/15<br \/>\nEl hombre y la bestia, John S. Robertson, EE.UU., 1920<br \/>\n<span style=\"color: #993300;\">Dr Jekill &amp; Mr. Hyde, John S. Robertson, USA, 1920<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/14<br \/>\nJuego Luminoso Negro-Blanco-Gris, Laszlo Moholy-Nagy, Alemania, 1930<br \/>\n<span style=\"color: #993300;\">Lichtspiel Schwarz-Weiss-Grau, Laszlo Moholy-Nagy, Germany, 1930<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/14<br \/>\nSiete ocasiones, Buster Keaton, EE.UU., 1925<br \/>\nSeven chances, Buster Keaton, EEUU, 1925<\/p>\n<p style=\"text-align: center;\">03\/10\/13<br \/>\nEl canto del ruise\u00f1or, Ladislas Starevitch,\u00a0Francia, 1923<br \/>\n<span style=\"color: #993300;\">La voix du rossignol, Ladislas Starevitch,\u00a0France, 1923<\/span><\/p>\n<p style=\"text-align: center;\">03\/10\/13<br \/>\nLa peque\u00f1a cantante callejera,\u00a0Ladislas Starevitch,\u00a0Francia, 1924<br \/>\n<span style=\"color: #993300;\">La voix du rossignol,\u00a0Ladislas Starevitch,\u00a0France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">03\/10\/13<\/p>\n<p style=\"text-align: center;\">El peque\u00f1o desfile, Ladislas Starevitch,\u00a0Francia, 1928<br \/>\n<span style=\"color: #993300;\">La petite parade, Ladislas Starevitch,\u00a0France, 1928<\/span><\/p>\n<p style=\"text-align: center;\">03\/10\/13<\/p>\n<p style=\"text-align: center;\">El reloj m\u00e1gico, Ladislas Starevitch, Francia, 1928<br \/>\n<span style=\"color: #993300;\">L\u00b4Horloge magique, Ladislas Starevitch,\u00a0France, 1928<\/span><\/p>\n<p style=\"text-align: center;\">27\/06\/13<br \/>\nEl viento,Victor Sj\u00f6str\u00f6m, EE.UU., 1928<br \/>\n<span style=\"color: #993300;\">The wind, Victor Sj\u00f6str\u00f6m, USA, 1928<\/span><\/p>\n<p style=\"text-align: center;\">23\/05\/13<br \/>\nPor la ley, Lev Kulcshov, URSS, 1926<br \/>\n<span style=\"color: #993300;\">Po Zakonu, Lev Kulcshov, URSS, 1926<\/span><\/p>\n<p style=\"text-align: center;\">11\/04\/13<br \/>\nHab\u00eda una vez un hombre, Victor Sj\u00f6str\u00f6m, Suecia, 1917<br \/>\n<span style=\"color: #993300;\">Terge Vigen, Victor Sj\u00f6str\u00f6m, Sweden, 1917<\/span><\/p>\n<p style=\"text-align: center;\">7\/03\/13<br \/>\nLa lealtad de ciervo blanco, James \u00abYoung Deer\u00bb, EE.UU., 1910<br \/>\n<span style=\"color: #993300;\">White Fawn&#8217;s devotion, &#8211; James \u00abYoung Deer\u00bb, USA, 1910<\/span><\/p>\n<p style=\"text-align: center;\">7\/03\/13<br \/>\nEn la tierra de los cazadores de cabezas, Edward Curtis, EE.UU., 1914<br \/>\n<span style=\"color: #993300;\">In the land of the Headhunters, Edward Curtis, USA, 1914<\/span><\/p>\n<p style=\"text-align: center;\">7\/02\/13<br \/>\nEl romance de la habitaci\u00f3n oeste, Yao Hou, China , 1927<br \/>\n<span style=\"color: #993300;\">Xixiang ji, Yao Hou, China , 1927<\/span><\/p>\n<p style=\"text-align: center;\">7\/02\/13<br \/>\nLa marcha de tokio, Kenji Mizoguch, Jap\u00f3n, 1929<br \/>\n<span style=\"color: #993300;\">Tokyo koshinkyoku, Kenji Mizoguch, Japan, 1929<\/span><\/p>\n<p style=\"text-align: center;\">24\/01\/13<br \/>\nElla tiene eso, Clarence Badger y Josef von Sternberg, EE.UU., 1927<br \/>\n<span style=\"color: #993300;\">It, Clarence Badger &amp; Josef von Sternberg, USA, 1927<\/span><\/p>\n<p style=\"text-align: center;\">15\/01\/13<br \/>\nEscurrir el bulto, Jean Renoir, Francia, 1928<br \/>\nTire au flanc, Jean Renoir, France, 1928<\/p>\n<p style=\"text-align: center;\">8\/01\/13<br \/>\nLa chica del agua, Jean Renoir, Francia, 1924<br \/>\n<span style=\"color: #993300;\">La fille de l&#8217;eau, Jean Renoir, France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/12<br \/>\nLos mosqueteros de Pig Alley, David Wark Griffith, EE.UU. -,1912<br \/>\n<span style=\"color: #993300;\">The musketeers of Pig Alley, David Wark Griffith, USA, 1912<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/12<br \/>\nEl coraz\u00f3n y el dinero, Louis Feuillade, Francia, 1912<br \/>\n<span style=\"color: #993300;\">Le couer et l&#8217;argent, Louis Feuillade, France, 1912<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/12<br \/>\nSuperstici\u00f3n andaluza, Segundo de Chom\u00f3n, Espa\u00f1a\/Francia, 1912<br \/>\n<span style=\"color: #993300;\">Superstici\u00f3n andaluza, Segundo de Chom\u00f3n, Spain\/France, 1912<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/12<br \/>\nViaje a la luna, George M\u00e9li\u00e8s, Francia, 1902<br \/>\n<span style=\"color: #993300;\">Le voyage dans la lune, George M\u00e9li\u00e8s, France, 1902<\/span><\/p>\n<p style=\"text-align: center;\">29\/11\/12<br \/>\nAsalto y robo de un tren, Edwin S. Porter, EE.UU.,1903<br \/>\n<span style=\"color: #993300;\">The great train robbery, Edwin S. Porter, USA, 1903<\/span><\/p>\n<p style=\"text-align: center;\">25\/10\/12<br \/>\nGarras humanas, Tod Browning, EE.UU., 1927<br \/>\n<span style=\"color: #993300;\">The unk<\/span><span style=\"color: #993300;\">nown<\/span><span style=\"color: #993300;\">, Tod Browning, USA, 1927<\/span><\/p>\n<p style=\"text-align: center;\">28\/06\/12<br \/>\nEl misterio de la puerta del sol, Francisco El\u00edas, Espa\u00f1a, 1929<br \/>\n<span style=\"color: #993300;\">El misterio de la puerta del sol, Francisco El\u00edas, Spain, 1929<\/span><\/p>\n<p style=\"text-align: center;\">14\/06\/12<br \/>\nLa secta de los misteriosos, Alberto Marro, Espa\u00f1a, 1914<br \/>\n<span style=\"color: #993300;\">La secta de los misteriosos, Alberto Marro, Spain, 1914<\/span><\/p>\n<p style=\"text-align: center;\">26\/04\/12<br \/>\nLa mu\u00f1eca, Ernst Lubitsch, Alemania, 1919<br \/>\n<span style=\"color: #993300;\">Die puppe, Ernst Lubitsch, Germany, 1919<\/span><\/p>\n<p style=\"text-align: center;\">29\/03\/12<br \/>\nEl enemigo de las rubias, Alfred Hitchcock, Gran Breta\u00f1a, 1926<br \/>\n<span style=\"color: #993300;\">The lodger, Alfred Hitchcock, Great Britain, 1926<\/span><\/p>\n<p style=\"text-align: center;\">02\/02\/12<br \/>\nDe la ma\u00f1ana a la medianoche, Karl Heinz Martin, Alemania, 1920<br \/>\n<span style=\"color: #993300;\">Von morgens bis mitternacht, Karl Heinz Martin, Germany, 1920<\/span><\/p>\n<p style=\"text-align: center;\">26\/01\/12<br \/>\nMujeres de Ryazan, Olga Preobrazhenskaya, URSS, 1927<br \/>\n<span style=\"color: #993300;\">Baby Ryazanskie, Olga Preobrazhenskaya, URSS, 1927<\/span><\/p>\n<p style=\"text-align: center;\">17\/11\/11<br \/>\nHaciendo m\u00fasica para el silencio: tres a\u00f1os de \u201cHistoria Permanente del Cine Mudo\u201d (charla-concierto)<\/p>\n<p style=\"text-align: center;\">03\/11\/11<br \/>\nUn hombre fuerte, Henryk Szaro, Polonia, 1929<br \/>\n<span style=\"color: #993300;\">Mocny Czlowiek, Henryk Szaro, Poland, 1929<\/span><\/p>\n<p style=\"text-align: center;\">27\/10\/11<br \/>\nEl und\u00e9cimo a\u00f1o, Dziga Vertov, URSS, 1928<br \/>\n<span style=\"color: #993300;\">Odinnadtsatyy, Dziga Vertov, URSS, 1928<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nUna ma\u00f1ana en el Bronx, Jay Leda, EE.UU., 1931<br \/>\n<span style=\"color: #993300;\">A Bronx morning, Jay Leda, USA, 1931<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nManhattan, Bonney Powell, EE.UU., 1931<br \/>\n<span style=\"color: #993300;\">Manhattan medley, Bonney Powell, USA, 1931<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nSinfon\u00eda Rascacielos, Robert Florey, EE.UU., 1929<br \/>\n<span style=\"color: #993300;\">Skycraper Symphony, Robert Florey, USA, 1929<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nLa isla de 24 d\u00f3lares, Robert Flaherty, EE.UU., 1926<br \/>\n<span style=\"color: #993300;\">Twenty-four dollar Island, Robert Flaherty, USA, 1926<\/span><\/p>\n<p style=\"text-align: center;\">Manhattan, Paul Strand &amp; Charles Sheeler, EE.UU., 1920<br \/>\n<span style=\"color: #993300;\">Manhatta, Paul Strand &amp; Charles Sheeler, USA, 1920<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nEscenas del \u201cSemanario Educativo Ford\u201d sobre Manhattan, Desconocido, EE.UU., 1916<br \/>\n<span style=\"color: #993300;\">Scenes from ford educational weekly of manhattan, Unknown , USA, 1916<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nConey Island de noche, Edwin S. Porter, EE.UU., 1905<br \/>\n<span style=\"color: #993300;\">Coney Island at night, Edwin S. Porter, USA, 1905<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nInterior del metro de Nueva York entre la calle 14 y la 42, Billy Bitzer, EE.UU., 1905<br \/>\n<span style=\"color: #993300;\">Interior New York subway 14th street to 42th street, Billy Bitzer, USA, 1905<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nEl Bajo Broadway, Robert Bonine, EE.UU., 1902<br \/>\n<span style=\"color: #993300;\">Lower Broadway, Robert Bonine, USA, 1902<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nConstrucci\u00f3n y derribo del teatro Star, Frederic Armitage, EE.UU., 1901<br \/>\n<span style=\"color: #993300;\">Building up and demolishing the star theatre,Frederic Armitage, USA, 1901<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nLa ventisca, Desconocido, EE.UU., 1899<br \/>\n<span style=\"color: #993300;\">The blizzard, unknow, USA, 1899<\/span><\/p>\n<p style=\"text-align: center;\">02\/06\/11<br \/>\nTal como \u00e9ramos (2): Memorias de Nueva York:<br \/>\nNew York memories<\/p>\n<p style=\"text-align: center;\">26\/05\/11<br \/>\nEl \u00faltimo mal\u00f3n, Alcides Greca, Argentina, 1918<br \/>\n<span style=\"color: #993300;\">El \u00faltimo mal\u00f3n, Alcides Greca, Argentine, 1918<\/span><\/p>\n<p style=\"text-align: center;\">07\/04\/11<br \/>\nD\u00edas de juventud, Yasujiro Ozu, Jap\u00f3n, 1929<br \/>\n<span style=\"color: #993300;\">Wakaki Hi, Yasujiro Ozu, Japan, 1929<\/span><\/p>\n<p style=\"text-align: center;\">31\/03\/11<br \/>\nEscurrir el bulto, Jean Renoir, Francia, 1928<br \/>\n<span style=\"color: #993300;\">Tire au flanc, Jean Renoir, France, 1928<\/span><\/p>\n<p style=\"text-align: center;\">03\/02\/11<br \/>\nLos cuentos de Hoffman, Richard Oswald, Alemania, 1916<br \/>\n<span style=\"color: #993300;\">Hoffmanns Erz\u00e4hlungen, Richard Oswald, Germany, 1916<\/span><\/p>\n<p style=\"text-align: center;\">27\/01\/11<br \/>\nEl pajaro azul, Maurice Tourneur, EE.UU., 1918<br \/>\n<span style=\"color: #993300;\">The blue bird, Maurice Tourneur, USA, 1918<\/span><\/p>\n<p style=\"text-align: center;\">16\/12\/10<br \/>\nEl hombre y la bestia, John S. Robertson, EE.UU., 1920<br \/>\n<span style=\"color: #993300;\">Dr Jekill &amp; Mr. Hyde, John S. Robertson, USA, 1920<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nH2O, Ralph Steiner, EE.UU., 1929<br \/>\n<span style=\"color: #993300;\">H2O, Ralph Steiner, USA, 1929<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nFantasmas antes del desayuno, Hans Richter, Alemania, 1927-1928<br \/>\nV<span style=\"color: #993300;\">ormittagsspuk, Hans Richter, Germany, 1927-1928<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nFilm Studio, Hans Richter, Alemania, 1926<br \/>\n<span style=\"color: #993300;\">Filmstudie, Hans Richter, Germany, 1926<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nConstrucciones espirituales,\u00a0Oskar Fischinger, Alemania, 1927-1929<br \/>\nV<span style=\"color: #993300;\">Seelische konstruktionen, Oskar Fischinger, Germany, 1927-1929<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nAnemic Cinema, Marcel Duchamp, Francia, 1925<br \/>\n<span style=\"color: #993300;\">An\u00e9mic Cin\u00e9ma, Marcel Duchamp, France, 1925<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nAnemic Cinema, Marcel Duchamp, Francia, 1925<br \/>\n<span style=\"color: #993300;\">An\u00e9mic Cin\u00e9ma, Marcel Duchamp, France, 1925<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nExperimentos en cera, Oskar Fischinger, Alemania, 1923<br \/>\n<span style=\"color: #993300;\">Wachs experimente, Oskar Fischinger, Germany, 1923<\/span><\/p>\n<p style=\"text-align: center;\">17\/06\/10<br \/>\nJuego Luminoso Negro-Blanco-Gris, Laszlo Moholy-Nagy, Alemania, 1930<br \/>\n<span style=\"color: #993300;\">Lichtspiel Schwarz-Weiss-Grau, Laszlo Moholy-Nagy, Germany, 1930<\/span><\/p>\n<p style=\"text-align: center;\">27\/05\/10<br \/>\nNanook El esquimal, Robert J. Flaherty, EE.UU., 1922<br \/>\n<span style=\"color: #993300;\">Nanook of the North, Robert J. Flaherty, USA, 1922<\/span><\/p>\n<p style=\"text-align: center;\">29\/04\/10<br \/>\nLa ca\u00edda de la casa Usher, James Sibley y Melville Webber, EE.UU.,1928<br \/>\n<span style=\"color: #993300;\">The fall of the house of Usher, James Sibley and Melville Webber, USA,1928<\/span><\/p>\n<p style=\"text-align: center;\">29\/04\/10<br \/>\nLa ca\u00edda de la casa Usher, Jean Epstein, Francia, 1928<br \/>\n<span style=\"color: #993300;\">La chute de la maison Usher, Jean Epstein, France, 1928<\/span><\/p>\n<p style=\"text-align: center;\">18\/03\/10<br \/>\nSiete a\u00f1os de mala suerte, Max Linder, EE.UU., 1921<br \/>\n<span style=\"color: #993300;\">Seven years bad luck, Max Linder, USA, 1925<\/span><\/p>\n<p style=\"text-align: center;\">25\/02\/10<br \/>\nAsfalto, Joe May, Alemania, 1929<br \/>\n<span style=\"color: #993300;\">Asphalt, Joe May, Germany, 1929<\/span><\/p>\n<p style=\"text-align: center;\">28\/01\/10<br \/>\nLa princesa de las ostras, Ernst Lubitsch, Alemania, 1919<br \/>\n<span style=\"color: #993300;\">Die Austernprinzessin, Ernst Lubitsch, Germany, 1919<\/span><\/p>\n<p style=\"text-align: center;\">17\/12\/09<br \/>\nLa nueva Babilonia, Grigori Kozintsev y Leonid Trauberg, URSS, 1929<br \/>\n<span style=\"color: #993300;\">Novyy Vavilon, Grigori Kozintsev y Leonid Trauberg, URSS, 1929<\/span><\/p>\n<p style=\"text-align: center;\">26\/11\/09<br \/>\nTartufo, Friedrich W. Murnau, Alemania, 1925<br \/>\n<span style=\"color: #993300;\">Tart\u00fcff, Friedrich W. Murnau, Germany, 1925<\/span><\/p>\n<p style=\"text-align: center;\">04\/06\/09<br \/>\nEl hombre de la c\u00e1mara, Dziga Vertov, URSS, 1929<br \/>\n<span style=\"color: #993300;\">Chelovek s Kinoapparatom, Dziga Vertov, URSS, 1929<\/span><\/p>\n<p style=\"text-align: center;\">21\/05\/09<br \/>\nSiete ocasiones, Buster Keaton, EE.UU., 1925<br \/>\n<span style=\"color: #993300;\">Seven chances, Buster Keaton, EEUU, 1925<\/span><\/p>\n<p style=\"text-align: center;\">21\/05\/09<br \/>\nEl moderno Sherlock Holmes, Buster Keaton, EE.UU., 1924<br \/>\n<span style=\"color: #993300;\">Sherlock Holmes JR, Buster Keaton, USA, 1924<\/span><\/p>\n<p style=\"text-align: center;\">30\/04\/09<br \/>\nBucking Broadway, John Ford, EE.UU., 1917<br \/>\n<span style=\"color: #993300;\">Bucking Broadway, John Ford, USA, 1917<\/span><\/p>\n<p style=\"text-align: center;\">17\/04\/09<br \/>\nEl hombre de la c\u00e1mara, Dziga Vertov, URSS, 1929<br \/>\n<span style=\"color: #993300;\">Chelovek s Kinoapparatom, Dziga Vertov, URSS, 1929<\/span><\/p>\n<p style=\"text-align: center;\">26\/03\/09<br \/>\nEl infierno de Dante, F. Bertolini, A.Padovan y G. De Liguoro, Italia, 1911<br \/>\n<span style=\"color: #993300;\">L&#8217;inferno, F. Bertolini, A.Padovan y G. De Liguoro, Italy, 1911<\/span><\/p>\n<p style=\"text-align: center;\">05\/02\/09<br \/>\nLa chica del agua, Jean Renoir, Francia, 1924<br \/>\n<span style=\"color: #993300;\">La fille de l&#8217;eau, Jean Renoir, France, 1924<\/span><\/p>\n<p style=\"text-align: center;\">15\/01\/09<br \/>\nNosferatu, Friedrich W. Murnau, Alemania, 1922<br \/>\n<span style=\"color: #993300;\">Nosferatu, eine symphonie des grauens, Friedrich W. Murnau, Germany, 1922<\/span><\/p>\n<p style=\"text-align: center;\">18\/12\/08<br \/>\nLas manos de Orlac, Robert Wiene, Alemania, 1925<br \/>\n<span style=\"color: #993300;\">Las manos de Orlac, Robert Wiene, Germany, 1925<\/span><\/p>\n<p style=\"text-align: center;\">19\/05\/06<br \/>\nEl enemigo de las rubias, Alfred Hitchcock, Gran Breta\u00f1a, 1926<br \/>\n<span style=\"color: #993300;\">The lodger, Alfred Hitchcock, Great Britain, 1926<\/span><\/p>\n<p style=\"text-align: center;\">14\/01\/05<br \/>\nEl hombre y la bestia, John S. Robertson, EE.UU., 1920<br \/>\n<span style=\"color: #993300;\">Dr Jekill &amp; Mr. Hyde, John S. Robertson, USA, 1920<\/span><\/p>\n<p style=\"text-align: center;\">11\/01\/05<br \/>\nSiete ocasiones, Buster Keaton, EE.UU., 1925<br \/>\n<span style=\"color: #993300;\">Seven chances, Buster Keaton, USA, 1925<\/span><\/p>\n<p style=\"text-align: center;\">11\/01\/05<br \/>\nEl moderno Sherlock Holmes, Buster Keaton, EE.UU., 1924<br \/>\n<span style=\"color: #993300;\">Sherlock Holmes Jr, Buster Keaton, USA, 1924<\/span><\/p>\n<p style=\"text-align: center;\">23\/01\/04<br \/>\nThe Salvation Hunter, Josef von Sternberg, EE.UU., 1925<br \/>\n<span style=\"color: #993300;\">The Salvation Hunter, Josef von Sternberg, USA, 1925<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>2 de marzo en Granada, En la Sala M\u00e1xima del Espacio V Centenario interpretando\u00a0Mujeres de Ryazan, Olga Preobrazhenskaya, URSS, 1927 NOVEDAD Jos\u00e9 Ignacio \u00abHaciendo m\u00fasica para el silencio &nbsp; NOVEDAD\u00a0Cine mudo \u00abAsfalto\u00bb Improvisaci\u00f3n e imagen La improvisaci\u00f3n aplicada a la &hellip; <a href=\"http:\/\/www.joseignaciohernandez.com\/?page_id=43\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=43"}],"version-history":[{"count":47,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":318,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/43\/revisions\/318"}],"wp:attachment":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}