{"id":20,"date":"2012-06-30T11:35:49","date_gmt":"2012-06-30T11:35:49","guid":{"rendered":"http:\/\/www.joseignaciohernandez.com\/?page_id=20"},"modified":"2012-09-10T21:47:12","modified_gmt":"2012-09-10T21:47:12","slug":"contacto","status":"publish","type":"page","link":"http:\/\/www.joseignaciohernandez.com\/?page_id=20","title":{"rendered":"Improvisaci\u00f3n"},"content":{"rendered":"
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Improvisaci\u00f3n<\/strong><\/p>\n

Se puede decir que la improvisaci\u00f3n es una forma de creaci\u00f3n y organizaci\u00f3n espont\u00e1nea donde los participantes interact\u00faan accionando un conjunto de instrumentos, y donde gran parte del juego es evitar hacer referencias o repetir patrones conocidos. Pero no todo es espontaneidad e innovaci\u00f3n, tambi\u00e9n existen reglas muy especificas para improvisar. Tomando en cuenta que en la improvisaci\u00f3n el cambio es constante, se aplican ciertas reglas que permitan a los miembros interactuar de formas inesperadas. La idea es establecer criterios que faciliten una interacci\u00f3n donde el saber escuchar cobre una relevancia mayor, y donde la interacci\u00f3n misma se convierta en una composici\u00f3n viva y mutante.<\/p>\n

Frederic Rzewski (virtuoso pianista y compositor) cuenta una an\u00e9cdota que tuvo con el saxofonista Steve Lacy. En 1968 me encontr\u00e9 por casualidad con Steve Lacy en una calle de Roma. Saqu\u00e9 un peque\u00f1o magnet\u00f3fono y le ped\u00ed que me dijera en 15 segundos la diferencia entre composici\u00f3n e improvisaci\u00f3n. Me respondi\u00f3: \u2018La diferencia entre la composici\u00f3n y la improvisaci\u00f3n es que en la composici\u00f3n dispones de todo el tiempo necesario para decidir qu\u00e9 decir en 15 segundos, mientras que en la improvisaci\u00f3n s\u00f3lo tienes 15 segundos\u2019. Su respuesta dur\u00f3 exactamente 15 segundos y es la mejor explicaci\u00f3n que conozco sobre esta diferencia.<\/p>\n

La improvisaci\u00f3n musical es el arte de crear y ejecutar m\u00fasica que previamente no ha sido escrita y que surge de manera espont\u00e1nea a trav\u00e9s de una serie de material. Podr\u00edamos decir que es una composici\u00f3n en tiempo real. Les Wise dice: \u201cEs reorganizaci\u00f3n espont\u00e1nea\u201d.<\/p>\n

Improvisation<\/span><\/strong><\/p>\n

It could be said that improvisation is a form of spontaneous creation in which performers interact, and in which a major part of the game is to avoid reference to and repetition of known patterns. But improvisation is not entirely spontaneity and innovation, there are also specific rules for improvising. Taking into account that in improvisation change is constant, one applies rules which permit its performers to interact in unexpected ways. The idea is to establish criteria which facilitate an interaction in which knowing how to listen plays a major part, and in which the interaction itself becomes a living and evolving composition.<\/span>
\n Frederic Rzewski (virtuoso pianist and composer) tells an anecdote that happened with saxophonist Steve Lacy: In 1968 by chance I ran into Steve Lacy in a street in Rome. I took out a small tape recorder and asked him to explain in 15 seconds the difference between composition and improvisation. He answered, \u201d The difference between composition and improvisation is that in composition you take all the time you need to decide what to say in 15 seconds, whereas in improvisation you only have 15 seconds.\u201d His reply lasted exactly 15 seconds and is the best explanation that I know concerning the difference.<\/span><\/p>\n

Musical improvisation is the art of spontaneously creating and performing music that is not written down but which has a point of departure. One could say that it is composition in real time. Les Wise says, \u201cIt is spontaneous reorganization\u00bb.<\/span><\/p>\n<\/div>\n

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\"Jos\u00e9<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Improvisaci\u00f3n Se puede decir que la improvisaci\u00f3n es una forma de creaci\u00f3n y organizaci\u00f3n espont\u00e1nea donde los participantes interact\u00faan accionando un conjunto de instrumentos, y donde gran parte del juego es evitar hacer referencias o repetir patrones conocidos. Pero no … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=20"}],"version-history":[{"count":11,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":22,"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=\/wp\/v2\/pages\/20\/revisions\/22"}],"wp:attachment":[{"href":"http:\/\/www.joseignaciohernandez.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}